I totally misjudged this plugin when I first tested it.
I was thinking I had all the limiting and compression covered. I also thought I had Mastering covered and didn't need another multi-band compressor.
WRONG! I had a problem Drum Bus, and nothing I did with my conventional compressors was working. I put the 354E on in desperation, and recalling the presets I'd tried out earlier, thought I'd start there.
BAM! Instantly the Drum Bus just rocked. Even using the raw un-calibrated preset, it was GOOD. So, I spent an couple of days immersed in really using the 354E.
All I can say is WOW, the results I was getting as I mastered (in both senses) the 354E on Drum tracks was astounding for some I had struggled with.
Instantly using one approach or another, sometimes engaging the "Nuke" option, was so counter intuitive to my usual methods, where I try to gently compress and scale up. With the "Nuke" option, you just flip the switch... And surprisingly the results where this approach fitted were superior to tracks I'd spent hours on gain staging the compression etc.
THEN, just out of curiosity, I put this on an electric guitar track, and "Nuked" it. LOL. Well you could have blown me over with a feather. Again, it was a massive enhancement. So good I threw out all the previous work and just adjusted it in the mix, and it was DONE. Perfect, and matched the end result I was looking for in my head. :)
So... Once I get a taste for something, I'm the kind of person who just has to explore things in increasingly more detail. So what do you think was next?...
VOCALS: OK, I'm typically from the school of gently compressing vocals, and sculpting them, like Michelangelo with marble. Chip, chip, gain stage to submixes, to buses, then to the master. Gradually and as transparently as possible shaping the vocals.
Usually this works very well, but there are many vocals that just don't sound right even multing/comping, gain staging compression, and automating.
So, on a problem lead vocal that was driving me nuts, out came the 354E. NUKE time! :) I went to the preset and loaded it. Instantly that problem vocal actually started sounding the way I wanted it too. So so counter to my usual methods, yet VERY effective. Even the preset position was enhancing most of the vocal.
I experimented with the various features, given I have some clue about compression, LOL. And the results from this was I found all sorts of ways to slowly calibrate the ratio, attack, release and other settings to arrive at what I was aiming for.
Please note, I'm talking about the "Bus" level. So I may have the raw track, through submixes then to the bus. Hence it's at this level I found great success at the step before going to the master.
What I can say is that the 354E has rapidly become a "go to" in my arsenal. I'm still finding out many more uses for it, which covers a range of specific tasks where frankly it's clearly the best option.
I suspect though you'd need to know what you're doing in terms of compression/limiting though. So newer users should make sure they fully get their heads around this space if they're going to get the best use out of it.
This is a fantastic asset to have ready to deploy. For me, it's become a "go to" tool, and I'm loving the results! For serious mixing/mastering professionals, I'd highly recommend test driving this baby, and experimenting with it. You may be surprised at the interesting results you get!
One of the most complete parallel compressor plugins ever. This really punched me off my studio chair. What a glue! What a sound! Famous!
Soft around the edges but cuts. Very simple layout and is great for pulling tones off of toms and vocals. Just like the other brainworx products I've purchased I'm really happy with the results and ease of use.
This is a phenomal-sounding compressor, just like the 254E. It's tasty, punchy, and feels quite "analog" (whatever that really means!) to me. I use it all over the place, from busses to my master, as appropriate.
Here are my issues:
1. You can't see the values of what you're adjusting. For precise post-production (and music!) music, this is a must-have feature that should be there like it is in many other PIA plugins.
2. The limitations of the original should be improved, i.e. the threshold should be freely adjustable instead of just in 2dB steps, and the gain as well for smaller adjustment than 1dB. In the modern day of computing, this is the advantage we have and it should be fully utilized, again as it is in many other PIA plugins.
3. Background noise should be switchable off. Noise a cute feature but should absolutely be optional.
I would love to knock off a point for the omission of external sidechain support; but this plugin sounds so damn good, I really couldn't justify it. The 354E definitely sounds like Neve analog hardware and is probably the only plugin I own that can deliver the sort of subharmonic warmth that is so elusive in the box. I have other great multi-band compressors, and this one still blew my socks off. Well done, Lindell and Plugin Alliance. 354E is an instant classic in my book.
I like this one a lot, there is no need to eq match if utilized in niveau mode for an equal frequency response according human hearing. Especially the oversampling makes a real difference. The only weak part in this emerald is the sidechain - any choice which band you only have a free range. The bx opto has solved it better. Sounds more focused. Not sure if an inverse phase option for each band makes any difference. Speciality: vocals, mixdowns.
this is a cool one multi band compressor plugin on the market. i`m using it a lot on my drum bus. really love it!! thank you Lindell Audio i hope you keep this type of quality.
The sound of this compressor is best described with the words warm and aggressive. This massive box can push your drums for example like hell and pump them up for that super fat wall of sound! There is definitely a tendency towards more warm, analogue sounding results. If the compressor is not driven to hard it can also sound quite smooth and gentle. I enjoined the easiness to set all parameters for all bands. It really shines on acoustic drum busses and glues everything together perfectly.
The 354E likes uncompressed and “raw” signals the best and there you can really add a lot of punch and drive to the mix. On already strong compressed mixes/ signals this compressor may be not the perfect choice. This can be heard on the second example of my short demo video. To warm up any signal like vocals, drums, digital synthesizers this device does it perfect. The mid/ side compression is very handy but I wish to have both at the same time. Maybe this is a feature that will come in a further update.
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With the 354E, Lindell Audio went beyond the standard emulation. They took advantage of the possibilities offered in the digital realm to make the plugin better than the hardware.
It's simply the best software multiband compressor with a vintage vibe.
By the way, the Nuke mode is a pretty smart addition !
The 254E is great and does its one thing really well.
But this new 354E multiplies that. It could have settled on just being a basic 3 band version, but the inclusion of selectable MS modes on all bands plus the excellent sounding 'Nuke' mode makes this multi-faceted.
Plus the whole thing just sounds great!