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Brainworx developed the bx_XL V2 to provide mastering engineers with the ability to deliver the loud mixes record labels demand without squashing the life out of the mix. bx_XL V2 uses M/S technology taken from their “modern classic” bx_digital V2 to convert stereo signals into M (mid / sum) and S (side / difference) signals. By splitting the M channel into 2 bands (high & low), you can limit and level control 3 individual channels (side, mid high, & mid low) to increase loudness while drastically improving the clarity of your stereo mixes— with far fewer distortion artifacts and much more punch than conventional two-channel limiters.
The Crossover Frequency slider determines the highest frequency affected by the mid low section. Use it to separate the kick drum so you can limit it differently from the rest of your mid signal. This is extremely useful for mixes that require powerful bottom end such as dance, rap, techno and rock.
After the 3 channels of bx_XL V2 have been mixed back into a stereo signal, an additional brick wall peak stop limiter offers an adjustable master out level. That’s 4 stages (or 5 channels…) of pro limiter for the ultimate loud and clear stereo mix!
The bx_XL V2 also includes a 3-band “psycho-acoustic” loudness maximizer, and a host of detailed Level meters, making it a sophisticated dynamics & loudness control system second to none.
The bx_XL V2 is designed to be the final plugin on the stereo master buss, making it the ideal companion to Brainworx’s bx_limiter plugin, which is designed for sub-groups and stems. However, you may find situations where the bx_XL V2, with its multiple limiting stages and other advanced features, is the right choice for stems and busses.
If you need to deliver LOUD mixes that aren’t squashed, download the bx_XL V2 today and give it a try. Like all Plugin Alliance products, it’s available for a full function 14-day demo, no dongle required!