Glenn Schick is a mastering engineer responsible for 25 years worth of Multi Platinum & Gold, Grammy Winning & Nominated, and Billboard #1 albums.

With clients as diverse as 2 Chainz, The Weeknd, Justin Bieber, Chris Brown, Future, and Jason Isbell, Schick has worked on dozens of Grammy winning and nominated projects, including 2017’s ”Laws Of Gravity” by The Infamous Stringdusters “winner of Best Bluegrass Album” and Widespread Panic’s “Dirty Side Down”, nominated as “Best Engineered Album” in 2010. Glenn’s work with the artist “Future” has put more top 10 albums on Billboard’s 200, than any other artist this decade.

Schick’s three decade-long career has included being a musician, producer, studio
owner, and engineer. With his company “Glenn Schick Mastering,” Schick has established a reputation as one of today’s most respected mastering talents. In 2017 alone, Schick worked on a 15 Gold and 11 Platinum records that were certified by the RIAA, 2 Billboard #1 albums, (Billboard Top 200) and many others in the top 5.

Schick has also been an innovator in mastering and audio technology. He does
most of his work these days with a state-of-the-art mastering set-up that allows him to be mobile, offer quick turn-around, but results in better sound.
Schick began his career in New York before heading to Atlanta in 1990. There,
Schick played a big role in the tremendous commercial success of “The Dirty South” and “Trap” movements. With his work in Atlanta and New York, Schick was involved in the birth of three hip hop movements.

Over his career, Schick has also been active in NARAS, the Grammy Awards organization. Schick has held prestigious positions as NARAS Trustee (Atlanta), Chapter President(Atlanta), and Governor (Pacific NW & Atlanta).

Schick has owned several studios, but since 2014, he has travelled the globe with his mobile rig. Whether he’s working with a cutting edge hip hop artist, or a pop ingénue,
Schick’s goal is, as his company motto reads, always to “serve the music.”

“The old rules don’t apply anymore,” he says of the shifting technology
landscape. “But with cutting edge technology, the music — which is what matters the most — has never sounded better.”

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Product Reviews

  • AMEK EQ 200

    Plugin Alliance obviously put in a lot of thought when designing the Amek 200 EQ. Based off a gold standard classic EQ known for its transparency, they added tons of new, really useful features that no hardware unit would be capable of. It's really a Swiss army tool to have in your toolkit. It can be clean & surgical, or add color & depth. TMT modeling, Saturation, and Stereo width controls let you take it from subtle to creative. It's a winner!


    I'm so fortunate to be a a mastering engineer in a time when innovative new tools keep coming out. Sculpt is definitely a new tool. It's 4 modules that work together as one intuitive dynamics tool to "sculpt" your sound. It's not like anything else out there. Not a multiband, not an EQ. It can restore a flat mix, and give it life. Remarkable.

  • ADPTR AUDIO Streamliner

    I love being able to look in a glance what my dynamic range & loudness are in a clear, easy to read format. The ability to audition lossy audio formats & reference all the major streaming platforms is a must nowadays. You can rest assured your nailing your sound for your intended audience. 

    For all those aspiring Mastering engineers, the target levels & dynamic ranges (with well known presets) are gonna be a game changer, and keep me from getting asked that question every day!

  • Brainworx bx_limiter True Peak

    I love things that sound great before you even dial them in. The bx_limiter True Peak just sounded musical as soon as I put signal through it. Warm, with an exquisite stereo field, it sounds modern in the best way. Clear, loud, punchy, and proud, that's what a limiter should be!

  • Lindell Audio SBC

    Every engineer needs some API style goodness in their tool box. The Lindell SBC delivers all that, and adds the most awesome "Nuke"  &  parallel mix features. Used properly, this can really make things pop in a track. Warm, yet in your face in the best way!

  • Knif Audio Soma

    I'm thrilled to see Jonte's brilliant, powerful & exquisite sounding EQ now available from Plugin Alliance. It's a great, warm hug, to have my old friend back in my arsenal again!

  • Brainworx bx_refinement

    I've been an analog based mastering engineer for the past 20 years. When people used to ask what plugins I used, I would always respond with "Plugins? I don't use no stinking plugins." And then Brainworx came into my life. The bx_refinement tool is not for people looking for wow factor on a mastering buss. But it did wow me. Its subtle way of de-harshing, smoothing, and making things smooth and cohesive deserves a "wow." It brings the round and warm back into a master that is different than traditional EQ and compression. The bx_refinement is a great tool for for today's over-processed and harsh tracks. Bravo, Brainworx.