Customer Reviews

  • Millennia TCL-2

    ★★★★☆
    by Buddaka
    Good looking and and sounding compressor. Only thing i am missing is being able to see the values of the knob parameters.
  • Cleanest musical compressor ever to walk this earth

    ★★★★★
    by machinegod
    The basics of a compressor, it's easy to use with minimum controls. You might get disappointed that it doesn't have many features, but once you put it in your mix bus you'll be surprised and stunned by what it can do. It is clean, simple but fun giving you a very musical sound. I love to use it on vocals, acoustic instruments.
  • Tcl 2

    ★★★★☆
    by Nythriam
    Beautiful sound , very good in both flavors, I think a hp filter would be nice and definitely a five stars .
  • Millennia TCL-2

    ★★★★★
    by Aneiro Tano
    This one is amazing !!!... very transparent and no aggressive compression. Thanks Plugin Alliance for the opportunity to get this great plugin !!!.
  • Very Clean!

    ★★★★★
    by styxxs2004
    This is a mastering compressor. If you are looking for a compressor to color your sound then get the ACME compressor from plugin-alliance. This compressor controls the sound without coloring the sound. It's excellent and true to the hardware.
  • Twincom

    ★★★★★
    by Felipe
    El twincomp es una maravilla para comprimir buses, en especial en modo M-S, entrega una mezcla prolija y muy bien adherida
  • Millennia TCL-2

    ★★★★★
    by Dj John-Player
    What a wonderful compressor, it can be soft as a hug or it can make your drum group jump out of the speakers. It's up to you what you want to compress with IT. This badboy worx in all situations. Good buy if you only buy one this year.
  • tlc-2

    ★★★★★
    by Paltarak
    Good stuff !
  • TCL-2

    ★★★★★
    by timirjan@yandex
    My favorite plugins!!!
  • Twincom Compressor Limiter

    ★★★★★
    by Costas Skliris
    The Twincom compressor is my latest acquisition from plugins alliance and there is one think I can assure you about : this love affair is not going to be a flash in the pan. In fact Im using it all the time, maybe not as much on individual instruments or tracks (as yet) but mainly on buses. The reason being a) subtlety b) dimension. Subtlety because the compression is effective but discreet, dimension because it instantaneously creates space and improves the stereo picture. This is the result of using a slightly deferent compression on each channel, to that end I personally recommend having one channel louder than the other, that gives you the impression of an even wider picture. The last think that I can say about it is that the M/S section sounds as if it was invented for this compressor.